“Moved to tears”: A biopoetical reading of the art game Passage
[I]t was a simple game that explored a universal subject (Rohrer, 2008, par. 9).

Passage
In a world where everything seems to change at a breakneck speed, one might very well wonder what remains the same throughout the ages, considering the modern pressurizing tendency to change, evolve and progress. It is from the premise that there is a fundamental human nature shaped by evolution that the biopoetical approach to the arts aims to discern the biologically determined components of the artwork that precede culture – in opposition to many streams of art criticism, which directly dissect the historical and cultural properties of the works. It is in search and in defense of the value of biopoetics that this essay will interpret one artwork assuming the biopoetical framework –also to be called Darwinian art criticism– as stipulated by one of the field’s most prominent and eloquent founding fathers: Joseph Carroll.
Click here for a biopoetical reading of the art game Passage







